{"title":"Film","description":"","products":[{"product_id":"opticolor-200-120","title":"Opticolor 200 120","description":"\u003cp\u003eOptiColour 200 in 120 is a fresh German-made colour negative film on the NC200 emulsion, built for a naturally warm look. Skin tones stay gentle, greens and reds lift slightly, and moderate contrast holds detail from highlight to shadow. The orange mask scans predictably, and a touch of overexposure (half to one stop) smooths tones and cuts shadow grain in medium format.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, daylight balanced\u003c\/li\u003e\n\u003cli\u003e120 medium format, single roll\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eWarm NC200 emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eCold-stored, coated in small batches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992089088349,"sku":"0089","price":15.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptiColour200-120_7-Background-Removed-scaled.webp?v=1767085109"},{"product_id":"opticolor-200-35mm","title":"Opticolor 200 35mm","description":"\u003cp\u003eOptiColour 200 is a fresh ISO 200 colour negative film on the German NC200 emulsion, built for a naturally warm look. Skin tones stay gentle, greens and reds lift slightly, and moderate contrast holds detail from highlight to shadow. The orange mask scans predictably, and a touch of overexposure (half to one stop) smooths tones and cuts shadow grain.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, daylight balanced\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eWarm NC200 emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eCold-stored, coated in small batches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992090562909,"sku":"0088","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptiColour200-135_3-Background-Removed-scaled.webp?v=1767085173"},{"product_id":"santacolor-100-35mm","title":"SantaColor 100 35mm","description":"\u003cp\u003eSantaColor 100 is a fine-grain colour negative film re-spooled from Kodak aerial-survey stock. Daylight-balanced at ISO 100, it gives punchy reds and lush greens with wide latitude, usable from roughly ISO 25 to 800 pushed or pulled. The look sits between muted portrait films and ultra-saturated stocks: more colour and warmth on a smooth contrast curve, with roll-to-roll character that rewards experimenting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100, daylight balanced, wide latitude (approx ISO 25-800)\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eNot DX-coded, set ISO manually\u003c\/li\u003e\n\u003cli\u003eCold-stored, fine-grain aerial stock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKodak Aerocolor IV also available in \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-120\"\u003e120 medium format\u003c\/a\u003e and \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-4x5-20-sheets\"\u003e4x5 format\u003c\/a\u003e.\u003c\/p\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992092922205,"sku":"0091","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/santacolor-film-135-36-farbfotos-packung-mit-5-stuck-Background-Removed.webp?v=1767085242"},{"product_id":"dbl-x-35mm","title":"DBL-X 35mm","description":"\u003cp\u003eDBL-X is a black \u0026amp; white motion-picture emulsion hand-spooled into 35mm cassettes for stills. Rated ISO 250 and daylight-balanced, it carries its cine origin in the look: strong contrast, deep blacks and a pronounced but controlled grain. Highlights stay soft to medium, shadows fall away with depth, and the film takes a push or pull well. No rem-jet, so it runs in standard black \u0026amp; white chemistry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 250, daylight balanced (5200K)\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard B\u0026amp;W process, no rem-jet\u003c\/li\u003e\n\u003cli\u003eMotion-picture emulsion: strong contrast, deep blacks\u003c\/li\u003e\n\u003cli\u003eCold-stored, hand-spooled\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992098558301,"sku":"0090","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Dbl-X-135_3-Background-Removed-scaled.webp?v=1767085355"},{"product_id":"motion-500t","title":"Motion 500T","description":"\u003cp\u003eMotion 500T is genuine Kodak Vision3 500T cinema stock, hand-spooled into 35mm cassettes. Tungsten-balanced at ISO 500, it holds rich colour, fine grain and a smooth tonal range in low and artificial light, with the shadow detail cinema film is known for. Run it through C-41 at a normal lab (rem-jet removed) or ECN-2 for the authentic cine result.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 500, tungsten balanced (3200K), DX-coded ISO 400\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eProcess C-41 (rem-jet removed) or ECN-2\u003c\/li\u003e\n\u003cli\u003eKodak Vision3 500T (5219), cold-stored\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63370983539037,"sku":"0096","price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptikOldschool_Motion500T-135_4-Background-Removed.png?v=1770895307"},{"product_id":"motion-250d","title":"Motion 250D","description":"\u003cp\u003eMotion 250D is genuine Kodak Vision3 250D cinema stock, hand-spooled into 35mm cassettes. Daylight-balanced at ISO 250, it gives brilliant colour, fine grain and a smooth tonal range with detail held across highlights and shadows. Built for daylight shooting, or use tungsten correction indoors. Run it through C-41 at a normal lab (rem-jet removed) or ECN-2 for the authentic cine result.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 250, daylight balanced (5500K), DX-coded ISO 200\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eProcess C-41 (rem-jet removed) or ECN-2\u003c\/li\u003e\n\u003cli\u003eKodak Vision3 250D, cold-stored\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63370983637341,"sku":"0095","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptikOldschool_Motion250D-135_2-Background-Removed.png?v=1770895268"},{"product_id":"adox-scala-50-bw-135-36","title":"ADOX Scala 50 BW 135\/36","description":"\u003cp\u003eADOX Scala 50 is a fine-grain, ISO 50 black and white film designed from the ground up for reversal processing — producing a positive transparency rather than a negative. Process it with the ADOX Scala Processing Kit and you get a viewable B\u0026amp;W slide: sharp, detailed, and ready for projection or scanning on a light table.\u003c\/p\u003e\n\u003cp\u003eAt ISO 50, the speed demands careful exposure and good light, but rewards both with exceptional sharpness and a grain structure that borders on invisible at normal viewing distances. The tonal curve is tuned for reversal — good highlight separation, deep blacks, and a smooth midtone transition that suits architectural subjects, still life, and any scene where fine detail matters.\u003c\/p\u003e\n\u003cp\u003eNot DX-coded. Set your ISO manually. Process with the ADOX Scala Processing Kit — standard B\u0026amp;W chemistry will produce a negative, not a slide.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 50\/18°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: B\u0026amp;W Reversal — requires \u003ca href=\"https:\/\/vintagevisual.eu\/products\/adox-scala-processing-kit-bw-slide\"\u003eADOX Scala Processing Kit\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eGrain: Very fine\u003c\/li\u003e\n\u003cli\u003eDX-coded: No (set ISO manually)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ADOX","offers":[{"title":"Default Title","offer_id":63642786365789,"sku":"0115","price":7.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Scala50.png?v=1772198883"},{"product_id":"santacolor-800-135-36","title":"SantaColor 800 135\/36","description":"\u003cp\u003eSantaColor 800 is a high-speed colour negative film built for low light, fast subjects, and situations where you cannot control the exposure conditions. At ISO 800, it gives you latitude that slower stocks simply cannot offer — workable exposures in dim interiors, at dusk, under artificial light, or when shooting moving subjects that require a fast shutter.\u003c\/p\u003e\n\n\u003cp\u003eThe faster speed brings a visible, textured grain that adds atmosphere and character to images rather than fighting against them. The colour palette skews warm and punchy — strong reds, saturated tones — with the kind of contrast that suits available-light and documentary shooting. Standard C-41 processing.\u003c\/p\u003e\n\n\u003cp\u003eCold-stored for freshness and consistency across the roll.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eISO: 800\u003c\/li\u003e\n  \u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n  \u003cli\u003eExposures: 36\u003c\/li\u003e\n  \u003cli\u003eProcess: C-41\u003c\/li\u003e\n  \u003cli\u003eColour character: Warm, saturated, contrasty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63642786595165,"sku":"0137","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Santa800_1_Background_Removed.png?v=1772192032"},{"product_id":"ilford-hp5-plus-135-36","title":"Ilford HP5 Plus 135\/36","description":"\u003cp\u003eIlford HP5 Plus is the versatile workhorse of the Ilford B\u0026amp;W lineup. At ISO 400, it handles a broad range of natural and artificial lighting conditions without fuss — indoors, outdoors, in shade, under tungsten — and the tonal response is consistent and predictable enough that it becomes second nature to expose by feel rather than by meter.\u003c\/p\u003e\n\u003cp\u003eWhat sets HP5 Plus apart is its push performance. Rated at EI 800, 1600, or 3200, it maintains shadow separation and keeps grain structured rather than splotchy — the kind of results that can genuinely be used rather than just tolerated. At box speed, the grain is medium and classic: present, textured, analogue in character, and flattering in portraits and street work alike.\u003c\/p\u003e\n\u003cp\u003eCompatible with virtually every standard B\u0026amp;W developer. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003ePush range: EI 800–3200 with excellent results\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":63642787053917,"sku":"0138","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HP5_35mm.png?v=1772198785"},{"product_id":"ilford-hp5-plus-120","title":"Ilford HP5 Plus 120","description":"\u003cp\u003eHP5 Plus in medium format 120 brings the same reliable, versatile character to roll film cameras. The larger negative captures every quality HP5 is known for at greater scale — smooth mid-tones, manageable grain, and a tonal response that stays consistent across a wide exposure range.\u003c\/p\u003e\n\u003cp\u003ePush-processable to EI 1600 or 3200, giving medium format photographers the flexibility to shoot in lower light without switching to a faster film. The grain is visible on the larger negative but structured and well-controlled — at normal enlargement sizes it reads as texture rather than noise. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003ePush range: EI 800–3200\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":63642787250525,"sku":"0139","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HP5_120.png?v=1772198882"},{"product_id":"kodak-portra-400-135-36","title":"Kodak Portra 400 135\/36","description":"\u003cp\u003eKodak Portra 400 is the benchmark professional colour negative film for portrait and documentary photography. At ISO 400, it balances speed and image quality in a way that few other films have matched: natural skin tones, fine grain for its speed class, and a highlight latitude that holds detail well past the point where most films blow out.\u003c\/p\u003e\n\u003cp\u003eThe colour palette is warm and slightly desaturated — flattering in portraits, accurate in editorial, and versatile enough to scan well across different workflows. Shoot it in natural light, mixed light, or outdoors and it handles each scenario with a consistency that makes it a dependable choice rather than an experimental one.\u003c\/p\u003e\n\u003cp\u003eResponds well to push processing and overexposure by 1–2 stops. The results get softer and dreamier, not muddy. Standard C-41 processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eColour character: Warm, natural, slightly desaturated\u003c\/li\u003e\n\u003cli\u003eGrain: Fine for ISO 400\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":63642787545437,"sku":"0145","price":24.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Shopify_frame_6900e558-e0c4-4cf2-b309-b06f474fc6ac.png?v=1772198882"},{"product_id":"kodak-portra-400-120","title":"Kodak Portra 400 120","description":"\u003cp\u003eKodak Portra 400 in medium format 120 delivers the same professional performance that has made it the preferred choice for portrait and editorial work — now with the resolution and tonality advantages of a larger negative. The combination of Portra's natural skin tones and the increased detail of medium format makes this a particularly strong pairing for portrait work where every quality is amplified at print size.\u003c\/p\u003e\n\u003cp\u003eWide exposure latitude, consistent C-41 behaviour, and a warm colour palette that complements most subjects. Overexpose by 1–2 stops for softer, airier results. Push 1 stop for added contrast and a bit more presence in the grain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eColour character: Warm, natural, slightly desaturated\u003c\/li\u003e\n\u003cli\u003eGrain: Fine for ISO 400\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":63642787676509,"sku":"0144","price":21.7,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Portra_400_120-1.png?v=1772198700"},{"product_id":"kentmere-400-135-36","title":"Kentmere 400 135\/36","description":"\u003cp\u003eKentmere 400 is an ISO 400 black and white film from the Ilford family, built for everyday use at a price that makes it practical to shoot in volume. Versatile in mixed and lower-light conditions, it handles a broad range of subjects without requiring careful management or special processing considerations.\u003c\/p\u003e\n\u003cp\u003eThe tonal response is clean and neutral with moderate contrast. Grain is well-managed for the speed class — visible but consistent. Compatible with all standard B\u0026amp;W developers. A solid everyday film for street, documentary, and casual shooting where you want reliable B\u0026amp;W results without the cost of premium stocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642787807581,"sku":"0140","price":8.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN_400_35mm-1.png?v=1772198880"},{"product_id":"kentmere-100-120","title":"Kentmere 100 120","description":"\u003cp\u003eKentmere 100 in medium format 120 is a fine-grain ISO 100 film from the Ilford family, offering good image quality at an accessible price point. The slower speed suits controlled environments — studios, landscapes, architectural work — where careful exposure is part of the process and grain is something to minimise rather than lean on.\u003c\/p\u003e\n\u003cp\u003eOn the larger 120 negative, the fine grain and high resolution translate into crisp, detailed captures well suited to printing large or scanning for high-resolution use. Smooth, neutral tonal response with manageable contrast. Compatible with all standard B\u0026amp;W developers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 100\/21°\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642787938653,"sku":"0141","price":6.75,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN100120.png?v=1772198611"},{"product_id":"kentmere-400-120","title":"Kentmere 400 120","description":"\u003cp\u003eKentmere 400 in medium format 120 brings accessible ISO 400 performance to roll film cameras. The faster speed gives flexibility for indoor sessions, overcast days, and situations where you need a workable shutter speed without a tripod — and the medium format negative manages the grain well enough that results stay usable at typical print and scan sizes.\u003c\/p\u003e\n\n\u003cp\u003eClean, neutral tonal response. Compatible with all standard B\u0026amp;W developers. A practical and affordable option for medium format shooters who want 400 speed without paying premium film prices.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n  \u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n  \u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n  \u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642788168029,"sku":"0142","price":6.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN_400_120.png?v=1772198951"},{"product_id":"kentmere-100-135-36","title":"Kentmere 100 135\/36","description":"\u003cp\u003eKentmere 100 is a fine-grain ISO 100 black and white film from the Ilford family. The slow speed rewards considered shooting: in good light, with a tripod when needed, or at subjects that sit still long enough to expose carefully. What you get in return is fine grain, high sharpness, and smooth tonal gradation that suits architectural photography, still life, landscape, and any subject where detail matters.\u003c\/p\u003e\n\u003cp\u003eClean and neutral with manageable contrast. Compatible with all standard B\u0026amp;W developers. An affordable entry into fine-grain B\u0026amp;W photography, and a useful companion to Kentmere 400 when you want to carry both a fast and a slow option.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 100\/21°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642788299101,"sku":"0143","price":8.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN_100_35mm.png?v=1772198881"},{"product_id":"lucky-color-200-135-36","title":"Lucky Color 200 135\/36","description":"\u003cp\u003eLucky Color 200 is a 35mm colour negative film from Lucky Film, one of the longest-running photographic film manufacturers in China. ISO 200 is a versatile daylight speed — comfortable for outdoor shooting without being so slow that overcast or indoor conditions become unworkable.\u003c\/p\u003e\n\u003cp\u003eThe rendering differs from typical consumer colour negative stocks: contrast is higher, grain is medium and present, and colours lean vivid rather than neutral. A film with a distinct character rather than one designed to disappear into the background.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200 (DX coded)\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lucky Film","offers":[{"title":"Default Title","offer_id":63818763174237,"sku":"0123","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/lucky-color-200-135-36-main.png?v=1773306301"},{"product_id":"reflx-lab-pro100-120","title":"Reflx Lab Pro100 120","description":"\u003cp\u003eReflx Lab Pro100 in 120 format is a colour negative film built on Kodak Aerocolor IV aerial film stock, sensitised for C-41 processing. The aerial film origin gives Pro100 a distinct rendering: shadow tones carry a slight cyan-blue shift, fine grain for the ISO class, and colour response that differs noticeably from conventional colour negative emulsions.\u003c\/p\u003e\n\u003cp\u003eThe 120 negative size amplifies the strengths of a fine-grain ISO 100 film — more resolved detail and smoother tonal gradation at large print sizes. Well suited to landscapes, portraiture, and any situation where the film’s specific character is part of the intent. C-41 compatible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 100\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKodak Aerocolor IV also available in \u003ca href=\"https:\/\/vintagevisual.eu\/products\/santacolor-100-35mm\"\u003e35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-4x5-20-sheets\"\u003e4x5 large format\u003c\/a\u003e.\u003c\/p\u003e","brand":"Reflx Lab","offers":[{"title":"Default Title","offer_id":63818763469149,"sku":"0125","price":15.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/reflx-lab-pro100-120-main.png?v=1773306188"},{"product_id":"reflx-lab-pro100-4x5-20-sheets","title":"Reflx Lab Pro100 4x5 - 20 sheets","description":"\u003cp\u003eThe Reflx Lab Pro100 emulsion — built on Kodak Aerocolor IV aerial film stock — in 4 × 5 sheet format for large format cameras. The same colour character as the roll film versions: slight cyan cast in shadow tones, fine grain, and distinct colour rendering compared to standard C-41 emulsions. On a 4 × 5 negative, grain becomes effectively invisible at most print and scan sizes.\u003c\/p\u003e\n\u003cp\u003e20 sheets per box. Standard C-41 compatible — processable at any colour lab that handles colour negative. Load and unload in complete darkness or a changing bag.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 100\u003c\/li\u003e\n\u003cli\u003eFormat: 4×5 sheet film\u003c\/li\u003e\n\u003cli\u003eSheets per box: 20\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eKodak Aerocolor IV also available in \u003ca href=\"https:\/\/vintagevisual.eu\/products\/santacolor-100-35mm\"\u003e35mm\u003c\/a\u003e and \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-120\"\u003e120 medium format\u003c\/a\u003e.\u003c\/p\u003e","brand":"Reflx Lab","offers":[{"title":"Default Title","offer_id":63818763567453,"sku":"0134","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/reflx-lab-pro100-4x5-20-sheets-main.png?v=1773306171"},{"product_id":"cinestill-400d-4x5-25-sheets","title":"Cinestill 400D 4x5 - 25 Blatt","description":"\u003cp\u003eCinestill 400D ist ein feinkörniger, auf Tageslicht abgestimmter Farbnegativfilm für Großformatkameras. Die Dynamic-Emulsion liefert natürliche Sättigung, warme Hauttöne und einen großen Dynamikumfang bei ganz unterschiedlichem Licht. Die Nennempfindlichkeit liegt bei ISO 400. Der Belichtungsspielraum erlaubt ISO 200 bis 800 ohne Push-Entwicklung, für wenig Licht lässt sich der Film bis ISO 3200 pushen. Standard-C-41-Prozess.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDie wichtigsten Merkmale:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeinkörniger Farbnegativfilm, auf Tageslicht abgestimmt\u003c\/li\u003e\n\u003cli\u003eISO 400 (belichtbar von 200 bis 800, pushbar bis 3200)\u003c\/li\u003e\n\u003cli\u003ePlanfilm 4×5 Zoll (102×127 mm)\u003c\/li\u003e\n\u003cli\u003e25 Blatt pro Packung\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEntwicklung im C-41-Prozess\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eKühl gelagert\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cinestill","offers":[{"title":"Default Title","offer_id":63976000160093,"sku":"0162","price":145.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Cinestill400D4x5.png?v=1774438351"},{"product_id":"ilford-xp2-super-135-36","title":"Ilford XP2 Super 135\/36","description":"\u003cp\u003eIlford XP2 Super is an ISO 400 black-and-white film that develops in standard C-41 colour chemistry. The chromogenic process delivers very fine grain and a smooth tonal scale, with wide latitude that handles exposures from ISO 50 to 800 on a single roll.\u003c\/p\u003e\n\u003cp\u003eA practical choice when you want B\u0026amp;W results without setting up B\u0026amp;W chemistry. Process at any lab that runs C-41.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 400 black \u0026amp; white, C-41 process\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eVery fine grain, wide ISO 50-800 latitude\u003c\/li\u003e\n\u003cli\u003eDevelops at any C-41 lab\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64802848473437,"sku":"0188","price":17.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/IlfordXP2Super400135-36.png?v=1779878829"},{"product_id":"ilford-xp2-super-120","title":"Ilford XP2 Super 120","description":"\u003cp\u003eIlford XP2 Super in 120 medium format. ISO 400 black-and-white film processed in standard C-41 colour chemistry. The chromogenic process gives very fine grain and a smooth tonal scale, with broad latitude across ISO 50–800 on a single roll.\u003c\/p\u003e\n\u003cp\u003eLab-friendly developing in any C-41 line, with the larger 120 negative for medium-format detail.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 400 black \u0026amp; white, C-41 process\u003c\/li\u003e\n\u003cli\u003e120 medium format, single roll\u003c\/li\u003e\n\u003cli\u003eVery fine grain, wide ISO 50-800 latitude\u003c\/li\u003e\n\u003cli\u003eDevelops at any C-41 lab\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64802848506205,"sku":"0189","price":15.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/IlfordXP2Super400120.png?v=1779878810"},{"product_id":"kodak-gold-200-135-36","title":"Kodak Gold 200 135\/36","description":"\u003cp\u003eKodak Gold 200 is a daylight-balanced ISO 200 colour negative film with warm tones and fine grain. A workhorse for outdoor and travel photography, it gives rich saturation in sunlight and clean skin tones across mixed lighting.\u003c\/p\u003e\n\u003cp\u003eStandard C-41 process. 35mm, 36 exposures.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200 colour negative, daylight balanced\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eWarm tones, fine grain\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":64802848538973,"sku":"0197","price":14.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/KodakGold200135-36.png?v=1779878758"},{"product_id":"kodak-gold-200-120","title":"Kodak Gold 200 120","description":"\u003cp\u003eKodak Gold 200 in 120 medium format. Daylight-balanced ISO 200 colour negative film with warm tones and the fine grain of the Gold line, scaled up for medium format detail.\u003c\/p\u003e\n\u003cp\u003eStandard C-41 process. Single roll, 120 medium format.\u003cbr\u003e\u003cbr\u003eSold by single roll.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200 colour negative, daylight balanced\u003c\/li\u003e\n\u003cli\u003e120 medium format, single roll\u003c\/li\u003e\n\u003cli\u003eWarm tones, fine grain\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":64802848604509,"sku":"0198","price":14.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Kodak_Gold_200_120.png?v=1779885527"},{"product_id":"kodak-tri-x-400-120","title":"Kodak Tri-X 400TX 120","description":"\u003cp\u003eTri-X 400 in medium format 120 brings the classic black \u0026amp; white look to roll film cameras on a larger negative. The same ISO 400 versatility and forgiving exposure latitude apply, with grain that reads as texture rather than noise at normal enlargement sizes.\u003c\/p\u003e\n\u003cp\u003eThe larger frame smooths the characteristic Tri-X grain while keeping its punchy contrast and deep blacks. Pushes cleanly to EI 1600 for low light. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003ePush range: EI 800–1600\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":64996046471517,"sku":"0200","price":13.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/KodakTriX400.png?v=1781703768"},{"product_id":"ilford-fp4-plus-120","title":"Ilford FP4 Plus 120","description":"\u003cp\u003eIlford FP4 Plus is a medium-speed black \u0026amp; white film prized for fine grain, high sharpness, and a long tonal scale. At ISO 125 it sits between the speed of HP5 Plus and the fine detail of slower stocks, making it a natural choice for landscape, still life, and studio work where resolution matters.\u003c\/p\u003e\n\u003cp\u003eIn 120 the larger negative delivers exceptional detail and smooth, well-separated mid-tones. Wide exposure latitude makes it forgiving in practice while rewarding careful metering with negatives that enlarge cleanly. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\/22°\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003cli\u003eCharacter: High sharpness, long tonal scale\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64996046733661,"sku":"0229","price":11.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/FP4120.png?v=1781703437"},{"product_id":"ilford-fp4-plus-135-36","title":"Ilford FP4 Plus 135\/36","description":"\u003cp\u003eIlford FP4 Plus is a medium-speed black \u0026amp; white film prized for fine grain, high sharpness, and a long tonal scale. At ISO 125 it balances detail and usability, a dependable choice for landscape, portrait, still life, and any work where clean, well-resolved negatives matter.\u003c\/p\u003e\n\u003cp\u003eWide exposure latitude makes it forgiving while rewarding careful metering. The grain is tight and the tonal separation smooth, enlarging cleanly to large prints. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\/22°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003cli\u003eCharacter: High sharpness, long tonal scale\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64996046831965,"sku":"0231","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/FP435mm.png?v=1781703438"},{"product_id":"ilford-hp5-plus-4x5-25-sheets","title":"Ilford HP5 Plus 4x5 - 25 Sheets","description":"\u003cp\u003eIlford HP5 Plus in 4x5 large format sheet film brings the versatile ISO 400 workhorse to view cameras. The same broad exposure latitude and classic, structured grain apply, with the large negative delivering exceptional tonal detail and the option to develop each sheet individually.\u003c\/p\u003e\n\u003cp\u003ePush-processable to EI 1600 or 3200 for low light, and forgiving enough to expose by feel. Ideal for large-format portraiture, landscape, and studio work. Compatible with all standard B\u0026amp;W developers. 25 sheets per box. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 4x5 inch sheet film\u003c\/li\u003e\n\u003cli\u003eQuantity: 25 sheets per box\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003ePush range: EI 800–3200\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64996046963037,"sku":"0228","price":80.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HP54x5.png?v=1781703422"},{"product_id":"ilford-fp4-plus-4x5-25-sheets","title":"Ilford FP4 Plus 4x5 - 25 Sheets","description":"\u003cp\u003eIlford FP4 Plus in 4x5 large format sheet film pairs the medium-speed emulsion's fine grain and high sharpness with the resolution of a large negative. At ISO 125 it is the natural choice for view-camera landscape, architecture, and still life where ultimate detail and a long tonal scale matter.\u003c\/p\u003e\n\u003cp\u003eWide exposure latitude makes it forgiving, while the fine grain and smooth gradation reward careful technique with negatives that enlarge to mural size. Develop each sheet individually for full tonal control. Compatible with all standard B\u0026amp;W developers. 25 sheets per box. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\/22°\u003c\/li\u003e\n\u003cli\u003eFormat: 4x5 inch sheet film\u003c\/li\u003e\n\u003cli\u003eQuantity: 25 sheets per box\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64996047061341,"sku":"0230","price":80.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/FP44x5.png?v=1781703402"},{"product_id":"opticolor-200-4x5","title":"OptiColour 200 4x5 - 25 Sheets","description":"\u003cp\u003eOptiColour 200 is a fresh ISO 200 colour negative film on the German NC200 emulsion, built for a naturally warm look. Skin tones stay gentle, greens and reds lift slightly, and moderate contrast holds detail from highlight to shadow. The orange mask scans predictably, and a touch of overexposure (half to one stop) smooths tones and cuts shadow grain.\u003c\/p\u003e\n\u003cp\u003eThis 4x5 inch large-format sheet version brings that warm rendering to view cameras, with each sheet developable individually in standard C-41. 25 sheets per box. Cold-stored and coated in small batches.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, daylight balanced\u003c\/li\u003e\n\u003cli\u003e4x5 inch sheet film\u003c\/li\u003e\n\u003cli\u003e25 sheets per box\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eWarm NC200 emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eCold-stored, coated in small batches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":64996047192413,"sku":"0208","price":77.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Optik2004x5.png?v=1781703346"},{"product_id":"opticolor-200-5x7","title":"OptiColour 200 5x7 - 25 Blatt","description":"\u003cp\u003eOptiColour 200 ist ein frischer Farbnegativfilm mit ISO 200 auf Basis der deutschen NC200-Emulsion, abgestimmt auf eine natürlich warme Wiedergabe. Hauttöne bleiben sanft, Grün- und Rottöne werden leicht angehoben, und der moderate Kontrast hält Zeichnung von den Lichtern bis in die Schatten. Die Orangemaske verhält sich beim Scannen vorhersehbar, und eine leichte Überbelichtung (eine halbe bis eine ganze Blende) glättet die Tonwerte und reduziert das Korn in den Schatten.\u003c\/p\u003e\n\u003cp\u003eDiese Planfilmversion im Großformat 5x7 Zoll bringt die warme Wiedergabe auf die Fachkamera. Jedes Blatt lässt sich einzeln im Standard-C-41-Prozess entwickeln. 25 Blatt pro Packung. Kühl gelagert und in kleinen Chargen beschichtet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, auf Tageslicht abgestimmt\u003c\/li\u003e\n\u003cli\u003ePlanfilm 5x7 Zoll\u003c\/li\u003e\n\u003cli\u003e25 Blatt pro Packung\u003c\/li\u003e\n\u003cli\u003eStandard-C-41-Prozess\u003c\/li\u003e\n\u003cli\u003eWarme NC200-Emulsion, hergestellt in Deutschland\u003c\/li\u003e\n\u003cli\u003eKühl gelagert, in kleinen Chargen beschichtet\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":64996047323485,"sku":"0209","price":139.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Optik2005x7.png?v=1781703346"},{"product_id":"opticolor-200-8x10","title":"OptiColour 200 8x10 - 25 Sheets","description":"\u003cp\u003eOptiColour 200 is a fresh ISO 200 colour negative film on the German NC200 emulsion, built for a naturally warm look. Skin tones stay gentle, greens and reds lift slightly, and moderate contrast holds detail from highlight to shadow. The orange mask scans predictably, and a touch of overexposure (half to one stop) smooths tones and cuts shadow grain.\u003c\/p\u003e\n\u003cp\u003eThis 8x10 inch large-format sheet version brings that warm rendering to view cameras, with each sheet developable individually in standard C-41. 25 sheets per box. Cold-stored and coated in small batches.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, daylight balanced\u003c\/li\u003e\n\u003cli\u003e8x10 inch sheet film\u003c\/li\u003e\n\u003cli\u003e25 sheets per box\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eWarm NC200 emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eCold-stored, coated in small batches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":64996048535901,"sku":"0210","price":310.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Optik2008x10.png?v=1781703346"},{"product_id":"lucky-color-200-120","title":"Lucky Color 200 120","description":"\u003cp\u003eLucky Color 200 in 120 medium format is a colour negative film from Lucky Film, one of the longest-running photographic film manufacturers in China. ISO 200 is a versatile daylight speed, comfortable for outdoor shooting without being so slow that overcast or indoor conditions become unworkable.\u003c\/p\u003e\n\u003cp\u003eThe rendering differs from typical consumer colour negative stocks: contrast is higher, grain is medium and present, and colours lean vivid rather than neutral. The larger 120 negative holds that character with extra resolution. A film with a distinct look rather than one designed to disappear into the background.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lucky Film","offers":[{"title":"Default Title","offer_id":64996607852893,"sku":"0211","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Lucky_120.png?v=1781703283"},{"product_id":"harman-phoenix-ii-200-135-36","title":"Harman Phoenix II 200 135\/36","description":"\u003cp\u003eHarman Phoenix II is the second-generation colour negative film engineered and coated by Harman in the UK, the team behind Ilford. ISO 200 daylight speed with finer grain and improved latitude over the original Phoenix, while keeping the bold, characterful colour that set the first version apart.\u003c\/p\u003e\n\u003cp\u003eExpect punchy reds, strong contrast, and a distinctive analogue look rather than neutral accuracy. It scans more predictably than the first release and handles a wider range of light. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium-fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996607885661,"sku":"0224","price":13.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PhoenixII35mm.png?v=1781703236"},{"product_id":"harman-phoenix-ii-200-120","title":"Harman Phoenix II 200 120","description":"\u003cp\u003eHarman Phoenix II in 120 medium format brings Harman's second-generation colour negative emulsion to roll film cameras. ISO 200 daylight speed, with the larger negative resolving the film's bold colour and contrast at greater scale.\u003c\/p\u003e\n\u003cp\u003eFiner grain and wider latitude than the original Phoenix, with the same characterful, punchy look rather than neutral rendering. Engineered and coated by Harman in the UK. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium-fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996607951197,"sku":"0226","price":11.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PhoenixII120.png?v=1781703236"},{"product_id":"harman-switch-azure-125-135-36","title":"Harman Switch Azure 125 135\/36","description":"\u003cp\u003eHarman Switch Azure is a creative colour film from Harman that renders scenes with a distinctive azure-blue cast, giving everyday subjects a cool, dreamlike shift straight out of the camera with no filters or post-processing required. Rated at ISO 125 for daylight shooting.\u003c\/p\u003e\n\u003cp\u003eA film made for experimentation rather than neutral reproduction: skies and shadows lean blue while warmer tones are pulled toward the cooler end of the palette. Best in good light to keep shadows clean. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eLook: Azure colour shift\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996607983965,"sku":"0225","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HarmanAzure35mm.png?v=1781703148"},{"product_id":"harman-switch-azure-125-120","title":"Harman Switch Azure 125 120","description":"\u003cp\u003eHarman Switch Azure in 120 medium format brings the film's distinctive azure-blue colour shift to roll film cameras. Rated at ISO 125 for daylight, it renders everyday subjects with a cool, dreamlike cast straight from the camera, no filters or post-processing required.\u003c\/p\u003e\n\u003cp\u003eA creative stock made for experimentation rather than neutral colour. The larger negative holds the cool palette with extra resolution. Best shot in good light to keep shadows clean. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\u003c\/li\u003e\n\u003cli\u003eFormat: 120 (medium format)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eLook: Azure colour shift\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996608049501,"sku":"0227","price":10.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Harman_Azure_120.png?v=1781703158"},{"product_id":"fujifilm-instax-square-film-white","title":"Fujifilm Instax Square Film (White Frame)","description":"\u003cp\u003eFujifilm Instax Square instant film for all Instax Square cameras and printers. Each shot prints a 1:1 square image inside the classic white frame, developing in your hand a few minutes after you shoot. Rich colour and natural skin tones from Fujifilm's instant emulsion.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor all Instax Square cameras and printers\u003c\/li\u003e\n\u003cli\u003eSquare 1:1 colour image on a white frame\u003c\/li\u003e\n\u003cli\u003eImage 62 x 62 mm, print 72 x 86 mm\u003c\/li\u003e\n\u003cli\u003eISO 800, daylight-balanced\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Single (10)","offer_id":65453283606877,"sku":"0249","price":11.9,"currency_code":"EUR","in_stock":false},{"title":"Twin (20)","offer_id":65453283639645,"sku":"0250","price":21.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/InstaxFilm-2.png?v=1785826082"},{"product_id":"fujifilm-instax-square-monochrome-film","title":"Fujifilm Instax Square Monochrome Film","description":"\u003cp\u003eFujifilm Instax Square Monochrome instant film for all Instax Square cameras and printers. Black and white square prints inside the classic white frame, with high contrast and clean tones for a timeless look. Develops in your hand a few minutes after you shoot.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor all Instax Square cameras and printers\u003c\/li\u003e\n\u003cli\u003eBlack \u0026amp; white square 1:1 image on a white frame\u003c\/li\u003e\n\u003cli\u003e10 exposures\u003c\/li\u003e\n\u003cli\u003eISO 800, daylight-balanced\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":65453324927325,"sku":"0247","price":13.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/InstaxFilm-1.png?v=1785826062"},{"product_id":"fujifilm-instax-square-film-black-frame","title":"Fujifilm Instax Square Film (Black Frame)","description":"\u003cp\u003eFujifilm Instax Square instant film with a black frame instead of the usual white border, for all Instax Square cameras and printers. The dark border makes colours and highlights stand out and gives prints a bolder, graphic look. Develops in your hand a few minutes after you shoot.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor all Instax Square cameras and printers\u003c\/li\u003e\n\u003cli\u003eColour square 1:1 image on a black frame\u003c\/li\u003e\n\u003cli\u003e10 exposures\u003c\/li\u003e\n\u003cli\u003eISO 800, daylight-balanced\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":65453329154397,"sku":"0248","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/InstaxFilm.png?v=1785826045"},{"product_id":"optimono-100-35mm","title":"OptiMono 100 35mm","description":"\u003cp\u003eOptiMono 100 is Optik Oldschool's first in-house black and white film, coated on a Filmotec emulsion made in Wolfen, Germany. At ISO 100 it delivers fine grain, moderate contrast and a smooth tonal scale, holding detail in both highlights and shadows. Reds render a little lighter and greens a little darker, which flatters skin tones in portraits and adds depth to landscapes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100 black and white negative film\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eFine grain, moderate contrast, wide tonal range\u003c\/li\u003e\n\u003cli\u003eFilmotec \/ Original Wolfen emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eStandard black and white chemistry\u003c\/li\u003e\n\u003cli\u003eWell suited to scanning, darkroom printing and hybrid workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLooking for colour from the same maker? Try \u003ca href=\"https:\/\/vintagevisual.eu\/products\/santacolor-100-35mm\"\u003eSantaColor 100\u003c\/a\u003e.\u003c\/p\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":65464524276061,"sku":"0242","price":5.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Optimono100.png?v=1785825999"},{"product_id":"adox-hr-50-speed-boost-135-36","title":"ADOX HR-50 with SPEED BOOST 135\/36","description":"\u003cp\u003eADOX HR-50 is a superpanchromatic black and white film rated ISO 50 on a 0.1 mm PET base. SPEED BOOST is ADOX's own treatment that brings the emulsion up to ISO 50 and lowers the gamma, so a stock built for technical work handles ordinary subjects at normal contrast. Grain is extremely fine and resolution runs to 280 lp\/mm at an image contrast of 1000:1.\u003c\/p\u003e\n\u003cp\u003eADOX recommends its own HR-DEV developer. For portraits ADOX names \u003ca href=\"https:\/\/vintagevisual.eu\/products\/adox-fx-39-ii-bw-developer\"\u003eFX-39 II\u003c\/a\u003e as the alternative.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 50\/18°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135), 36 exposures\u003c\/li\u003e\n\u003cli\u003eSpectral sensitivity: Superpanchromatic\u003c\/li\u003e\n\u003cli\u003eResolution: up to 280 lp\/mm at 1000:1 image contrast\u003c\/li\u003e\n\u003cli\u003eGrain: extremely fine\u003c\/li\u003e\n\u003cli\u003eBase: 0.1 mm PET\u003c\/li\u003e\n\u003cli\u003eAnti-halation: combined AHU\/NC\u003c\/li\u003e\n\u003cli\u003eDeveloper: ADOX HR-DEV, or FX-39 II\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ADOX","offers":[{"title":"Default Title","offer_id":65674398826845,"sku":"0254","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/VintageVisualSous-Vide-39.png?v=1789036503"},{"product_id":"original-wolfen-un54-super-8","title":"Original Wolfen UN54 Super 8","description":"\u003cp\u003eWolfen UN54 is a black and white camera negative film in a Super 8 cartridge, made by FilmoTec in Bitterfeld-Wolfen, Germany. It can be processed as a negative or reversed to a positive, so the same cartridge covers both routes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Super 8 cartridge, 15 m (50 ft)\u003c\/li\u003e\n\u003cli\u003eSpeed: ISO 64 to 200, depending on how it is processed\u003c\/li\u003e\n\u003cli\u003ePanchromatically sensitised black and white\u003c\/li\u003e\n\u003cli\u003eFine grain with high sharpness\u003c\/li\u003e\n\u003cli\u003eDevelops as a negative or as a reversal positive\u003c\/li\u003e\n\u003cli\u003eMade by FilmoTec GmbH, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wolfen","offers":[{"title":"Default Title","offer_id":65755160871261,"sku":"0267","price":51.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/VintageVisualSous-Vide-4.png?v=1789036325"},{"product_id":"kodak-ektar-100-135-36","title":"Eastman Kodak Ektar 100 135\/36","description":"\u003cp\u003eKodak Ektar 100 is a colour negative film for 35mm cameras, rated ISO 100 and daylight balanced. It has very fine grain and saturated colour, scans cleanly and holds up in large enlargements from a 35mm frame.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100, 35mm (135) cassette, 36 exposures\u003c\/li\u003e\n\u003cli\u003eVery fine grain, high sharpness and enhanced colour saturation\u003c\/li\u003e\n\u003cli\u003eSuited to scanning and to enlargements from a 35mm negative\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":65979900592477,"sku":"0281","price":19.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Ektar100.png?v=1790065163"},{"product_id":"eastman-kodak-tri-x-400-135-36","title":"Eastman Kodak Tri-X 400 135\/36","description":"\u003cp\u003eKodak Tri-X 400 is the classic black \u0026amp; white workhorse, on the market in one form or another since 1954 and still the reference point most other B\u0026amp;W films are measured against. At ISO 400 it covers a wide range of conditions, from bright daylight to dim interiors, with a tonal response that is forgiving of exposure error.\u003c\/p\u003e\n\u003cp\u003eGrain is pronounced and structured, giving the gritty, high-contrast look associated with documentary and street photography. It pushes well to EI 1600 and beyond, holding shadow detail and gaining contrast rather than falling apart. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":65988995613021,"sku":"0280","price":12.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Tri-X.png?v=1790065157"},{"product_id":"reflx-lab-640t-135","title":"REFLX LAB 640T-135","description":"\u003cp\u003eREFLX LAB 640T is a tungsten-balanced colour negative film respooled from Kodak Vision3 500T cine stock, upgraded with REFLX Lab's own AHU (Anti-Halation Undercoating) treatment. AHU removes the remjet layer during manufacture, so the film can be processed in either C-41 or ECN-2 without a remjet pre-bath, and adds anti-static properties that cut down on dust on the negatives.\u003c\/p\u003e\n\u003cp\u003eBalanced for tungsten\/artificial light, it renders warm indoor and night scenes naturally and needs an 80A filter (or similar colour correction) in daylight. Fresh-dated Hollywood-grade stock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 500 (ECN-2) \/ 640 (C-41)\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41 or ECN-2\u003c\/li\u003e\n\u003cli\u003eBalance: Tungsten\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Reflx Lab","offers":[{"title":"Default Title","offer_id":65989028872541,"sku":"0284","price":14.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/640T.png?v=1790065126"},{"product_id":"fortuna-c200-110","title":"FORTUNA C200 110","description":"\u003cp\u003eFortuna C200 is REFLX Lab's colour negative film for the 110 format, respooled from Lucky C200 stock originally made for 16mm motion picture use — the roll carries 16mm perforations on one side and standard 110 perforations on the other. Fine grain, vibrant colour and pleasing contrast in standard C-41 chemistry.\u003c\/p\u003e\n\u003cp\u003eEach cartridge is 3D-printed with no back window and no frame counter, so advance until you feel resistance to know you've reached the end of the roll. Best used in fully mechanical 110 cameras (e.g. Canon 110ED, Pentax Auto 110, Minolta 110 Zoom, Rollei E110) — check batteries and shutter mechanism before loading electronic models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200\u003c\/li\u003e\n\u003cli\u003eFormat: 110\u003c\/li\u003e\n\u003cli\u003eExposures: 24 (no frame counter)\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Reflx Lab","offers":[{"title":"Default Title","offer_id":65989030642013,"sku":"0285","price":8.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/FortunaC200110.png?v=1790065133"}],"url":"https:\/\/vintagevisual.eu\/de\/collections\/film.oembed?page=2","provider":"Vintage Visual","version":"1.0","type":"link"}