{"title":"Pellicola 35 mm","description":null,"products":[{"product_id":"opticolor-200-35mm","title":"OptiColour 200 35mm","description":"\u003cp\u003eOptiColour 200 is a fresh ISO 200 colour negative film on the German NC200 emulsion, built for a naturally warm look. Skin tones stay gentle, greens and reds lift slightly, and moderate contrast holds detail from highlight to shadow. The orange mask scans predictably, and a touch of overexposure (half to one stop) smooths tones and cuts shadow grain.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200, daylight balanced\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eWarm NC200 emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eCold-stored, coated in small batches\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992090562909,"sku":"0088","price":12.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptiColour200-135_3-Background-Removed-scaled.webp?v=1767085173"},{"product_id":"santacolor-100-35mm","title":"SantaColor 100 35mm","description":"\u003cp\u003eSantaColor 100 is a fine-grain colour negative film re-spooled from Kodak aerial-survey stock. Daylight-balanced at ISO 100, it gives punchy reds and lush greens with wide latitude, usable from roughly ISO 25 to 800 pushed or pulled. The look sits between muted portrait films and ultra-saturated stocks: more colour and warmth on a smooth contrast curve, with roll-to-roll character that rewards experimenting.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100, daylight balanced, wide latitude (approx ISO 25-800)\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003cli\u003eNot DX-coded, set ISO manually\u003c\/li\u003e\n\u003cli\u003eCold-stored, fine-grain aerial stock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKodak Aerocolor IV also available in \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-120\"\u003e120 medium format\u003c\/a\u003e and \u003ca href=\"https:\/\/vintagevisual.eu\/products\/reflx-lab-pro100-4x5-20-sheets\"\u003e4x5 format\u003c\/a\u003e.\u003c\/p\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992092922205,"sku":"0091","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/santacolor-film-135-36-farbfotos-packung-mit-5-stuck-Background-Removed.webp?v=1767085242"},{"product_id":"dbl-x-35mm","title":"DBL-X 35mm","description":"\u003cp\u003eDBL-X is a black \u0026amp; white motion-picture emulsion hand-spooled into 35mm cassettes for stills. Rated ISO 250 and daylight-balanced, it carries its cine origin in the look: strong contrast, deep blacks and a pronounced but controlled grain. Highlights stay soft to medium, shadows fall away with depth, and the film takes a push or pull well. No rem-jet, so it runs in standard black \u0026amp; white chemistry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 250, daylight balanced (5200K)\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eStandard B\u0026amp;W process, no rem-jet\u003c\/li\u003e\n\u003cli\u003eMotion-picture emulsion: strong contrast, deep blacks\u003c\/li\u003e\n\u003cli\u003eCold-stored, hand-spooled\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":62992098558301,"sku":"0090","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Dbl-X-135_3-Background-Removed-scaled.webp?v=1767085355"},{"product_id":"motion-500t","title":"Motion 500T","description":"\u003cp\u003eMotion 500T is genuine Kodak Vision3 500T cinema stock, hand-spooled into 35mm cassettes. Tungsten-balanced at ISO 500, it holds rich colour, fine grain and a smooth tonal range in low and artificial light, with the shadow detail cinema film is known for. Run it through C-41 at a normal lab (rem-jet removed) or ECN-2 for the authentic cine result.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 500, tungsten balanced (3200K), DX-coded ISO 400\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eProcess C-41 (rem-jet removed) or ECN-2\u003c\/li\u003e\n\u003cli\u003eKodak Vision3 500T (5219), cold-stored\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63370983539037,"sku":"0096","price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptikOldschool_Motion500T-135_4-Background-Removed.png?v=1770895307"},{"product_id":"motion-250d","title":"Motion 250D","description":"\u003cp\u003eMotion 250D is genuine Kodak Vision3 250D cinema stock, hand-spooled into 35mm cassettes. Daylight-balanced at ISO 250, it gives brilliant colour, fine grain and a smooth tonal range with detail held across highlights and shadows. Built for daylight shooting, or use tungsten correction indoors. Run it through C-41 at a normal lab (rem-jet removed) or ECN-2 for the authentic cine result.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 250, daylight balanced (5500K), DX-coded ISO 200\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eProcess C-41 (rem-jet removed) or ECN-2\u003c\/li\u003e\n\u003cli\u003eKodak Vision3 250D, cold-stored\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63370983637341,"sku":"0095","price":11.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/OptikOldschool_Motion250D-135_2-Background-Removed.png?v=1770895268"},{"product_id":"adox-scala-50-bw-135-36","title":"ADOX Scala 50 BW 135\/36","description":"\u003cp\u003eADOX Scala 50 is a fine-grain, ISO 50 black and white film designed from the ground up for reversal processing — producing a positive transparency rather than a negative. Process it with the ADOX Scala Processing Kit and you get a viewable B\u0026amp;W slide: sharp, detailed, and ready for projection or scanning on a light table.\u003c\/p\u003e\n\u003cp\u003eAt ISO 50, the speed demands careful exposure and good light, but rewards both with exceptional sharpness and a grain structure that borders on invisible at normal viewing distances. The tonal curve is tuned for reversal — good highlight separation, deep blacks, and a smooth midtone transition that suits architectural subjects, still life, and any scene where fine detail matters.\u003c\/p\u003e\n\u003cp\u003eNot DX-coded. Set your ISO manually. Process with the ADOX Scala Processing Kit — standard B\u0026amp;W chemistry will produce a negative, not a slide.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 50\/18°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: B\u0026amp;W Reversal — requires \u003ca href=\"https:\/\/vintagevisual.eu\/products\/adox-scala-processing-kit-bw-slide\"\u003eADOX Scala Processing Kit\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eGrain: Very fine\u003c\/li\u003e\n\u003cli\u003eDX-coded: No (set ISO manually)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ADOX","offers":[{"title":"Default Title","offer_id":63642786365789,"sku":"0115","price":7.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Scala50.png?v=1772198883"},{"product_id":"santacolor-800-135-36","title":"SantaColor 800 135\/36","description":"\u003cp\u003eSantaColor 800 is a high-speed colour negative film built for low light, fast subjects, and situations where you cannot control the exposure conditions. At ISO 800, it gives you latitude that slower stocks simply cannot offer — workable exposures in dim interiors, at dusk, under artificial light, or when shooting moving subjects that require a fast shutter.\u003c\/p\u003e\n\n\u003cp\u003eThe faster speed brings a visible, textured grain that adds atmosphere and character to images rather than fighting against them. The colour palette skews warm and punchy — strong reds, saturated tones — with the kind of contrast that suits available-light and documentary shooting. Standard C-41 processing.\u003c\/p\u003e\n\n\u003cp\u003eCold-stored for freshness and consistency across the roll.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eISO: 800\u003c\/li\u003e\n  \u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n  \u003cli\u003eExposures: 36\u003c\/li\u003e\n  \u003cli\u003eProcess: C-41\u003c\/li\u003e\n  \u003cli\u003eColour character: Warm, saturated, contrasty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":63642786595165,"sku":"0137","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Santa800_1_Background_Removed.png?v=1772192032"},{"product_id":"ilford-hp5-plus-135-36","title":"Ilford HP5 Plus 135\/36","description":"\u003cp\u003eIlford HP5 Plus is the versatile workhorse of the Ilford B\u0026amp;W lineup. At ISO 400, it handles a broad range of natural and artificial lighting conditions without fuss — indoors, outdoors, in shade, under tungsten — and the tonal response is consistent and predictable enough that it becomes second nature to expose by feel rather than by meter.\u003c\/p\u003e\n\u003cp\u003eWhat sets HP5 Plus apart is its push performance. Rated at EI 800, 1600, or 3200, it maintains shadow separation and keeps grain structured rather than splotchy — the kind of results that can genuinely be used rather than just tolerated. At box speed, the grain is medium and classic: present, textured, analogue in character, and flattering in portraits and street work alike.\u003c\/p\u003e\n\u003cp\u003eCompatible with virtually every standard B\u0026amp;W developer. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003ePush range: EI 800–3200 with excellent results\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":63642787053917,"sku":"0138","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HP5_35mm.png?v=1772198785"},{"product_id":"kodak-portra-400-135-36","title":"Kodak Portra 400 135\/36","description":"\u003cp\u003eKodak Portra 400 is the benchmark professional colour negative film for portrait and documentary photography. At ISO 400, it balances speed and image quality in a way that few other films have matched: natural skin tones, fine grain for its speed class, and a highlight latitude that holds detail well past the point where most films blow out.\u003c\/p\u003e\n\u003cp\u003eThe colour palette is warm and slightly desaturated — flattering in portraits, accurate in editorial, and versatile enough to scan well across different workflows. Shoot it in natural light, mixed light, or outdoors and it handles each scenario with a consistency that makes it a dependable choice rather than an experimental one.\u003c\/p\u003e\n\u003cp\u003eResponds well to push processing and overexposure by 1–2 stops. The results get softer and dreamier, not muddy. Standard C-41 processing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eColour character: Warm, natural, slightly desaturated\u003c\/li\u003e\n\u003cli\u003eGrain: Fine for ISO 400\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":63642787545437,"sku":"0145","price":24.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Shopify_frame_6900e558-e0c4-4cf2-b309-b06f474fc6ac.png?v=1772198882"},{"product_id":"kentmere-400-135-36","title":"Kentmere 400 135\/36","description":"\u003cp\u003eKentmere 400 is an ISO 400 black and white film from the Ilford family, built for everyday use at a price that makes it practical to shoot in volume. Versatile in mixed and lower-light conditions, it handles a broad range of subjects without requiring careful management or special processing considerations.\u003c\/p\u003e\n\u003cp\u003eThe tonal response is clean and neutral with moderate contrast. Grain is well-managed for the speed class — visible but consistent. Compatible with all standard B\u0026amp;W developers. A solid everyday film for street, documentary, and casual shooting where you want reliable B\u0026amp;W results without the cost of premium stocks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642787807581,"sku":"0140","price":8.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN_400_35mm-1.png?v=1772198880"},{"product_id":"kentmere-100-135-36","title":"Kentmere 100 135\/36","description":"\u003cp\u003eKentmere 100 is a fine-grain ISO 100 black and white film from the Ilford family. The slow speed rewards considered shooting: in good light, with a tripod when needed, or at subjects that sit still long enough to expose carefully. What you get in return is fine grain, high sharpness, and smooth tonal gradation that suits architectural photography, still life, landscape, and any subject where detail matters.\u003c\/p\u003e\n\u003cp\u003eClean and neutral with manageable contrast. Compatible with all standard B\u0026amp;W developers. An affordable entry into fine-grain B\u0026amp;W photography, and a useful companion to Kentmere 400 when you want to carry both a fast and a slow option.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 100\/21°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kentmere","offers":[{"title":"Default Title","offer_id":63642788299101,"sku":"0143","price":8.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PAN_100_35mm.png?v=1772198881"},{"product_id":"lucky-color-200-135-36","title":"Lucky Color 200 135\/36","description":"\u003cp\u003eLucky Color 200 is a 35mm colour negative film from Lucky Film, one of the longest-running photographic film manufacturers in China. ISO 200 is a versatile daylight speed — comfortable for outdoor shooting without being so slow that overcast or indoor conditions become unworkable.\u003c\/p\u003e\n\u003cp\u003eThe rendering differs from typical consumer colour negative stocks: contrast is higher, grain is medium and present, and colours lean vivid rather than neutral. A film with a distinct character rather than one designed to disappear into the background.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200 (DX coded)\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lucky Film","offers":[{"title":"Default Title","offer_id":63818763174237,"sku":"0123","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/lucky-color-200-135-36-main.png?v=1773306301"},{"product_id":"ilford-xp2-super-135-36","title":"Ilford XP2 Super 135\/36","description":"\u003cp\u003eIlford XP2 Super is an ISO 400 black-and-white film that develops in standard C-41 colour chemistry. The chromogenic process delivers very fine grain and a smooth tonal scale, with wide latitude that handles exposures from ISO 50 to 800 on a single roll.\u003c\/p\u003e\n\u003cp\u003eA practical choice when you want B\u0026amp;W results without setting up B\u0026amp;W chemistry. Process at any lab that runs C-41.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 400 black \u0026amp; white, C-41 process\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eVery fine grain, wide ISO 50-800 latitude\u003c\/li\u003e\n\u003cli\u003eDevelops at any C-41 lab\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64802848473437,"sku":"0188","price":17.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/IlfordXP2Super400135-36.png?v=1779878829"},{"product_id":"kodak-gold-200-135-36","title":"Kodak Gold 200 135\/36","description":"\u003cp\u003eKodak Gold 200 is a daylight-balanced ISO 200 colour negative film with warm tones and fine grain. A workhorse for outdoor and travel photography, it gives rich saturation in sunlight and clean skin tones across mixed lighting.\u003c\/p\u003e\n\u003cp\u003eStandard C-41 process. 35mm, 36 exposures.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 200 colour negative, daylight balanced\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eWarm tones, fine grain\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":64802848538973,"sku":"0197","price":14.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/KodakGold200135-36.png?v=1779878758"},{"product_id":"ilford-fp4-plus-135-36","title":"Ilford FP4 Plus 135\/36","description":"\u003cp\u003eIlford FP4 Plus is a medium-speed black \u0026amp; white film prized for fine grain, high sharpness, and a long tonal scale. At ISO 125 it balances detail and usability, a dependable choice for landscape, portrait, still life, and any work where clean, well-resolved negatives matter.\u003c\/p\u003e\n\u003cp\u003eWide exposure latitude makes it forgiving while rewarding careful metering. The grain is tight and the tonal separation smooth, enlarging cleanly to large prints. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\/22°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003cli\u003eGrain: Fine\u003c\/li\u003e\n\u003cli\u003eCharacter: High sharpness, long tonal scale\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ilford","offers":[{"title":"Default Title","offer_id":64996046831965,"sku":"0231","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/FP435mm.png?v=1781703438"},{"product_id":"harman-phoenix-ii-200-135-36","title":"Harman Phoenix II 200 135\/36","description":"\u003cp\u003eHarman Phoenix II is the second-generation colour negative film engineered and coated by Harman in the UK, the team behind Ilford. ISO 200 daylight speed with finer grain and improved latitude over the original Phoenix, while keeping the bold, characterful colour that set the first version apart.\u003c\/p\u003e\n\u003cp\u003eExpect punchy reds, strong contrast, and a distinctive analogue look rather than neutral accuracy. It scans more predictably than the first release and handles a wider range of light. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 200\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eGrain: Medium-fine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996607885661,"sku":"0224","price":13.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/PhoenixII35mm.png?v=1781703236"},{"product_id":"harman-switch-azure-125-135-36","title":"Harman Switch Azure 125 135\/36","description":"\u003cp\u003eHarman Switch Azure is a creative colour film from Harman that renders scenes with a distinctive azure-blue cast, giving everyday subjects a cool, dreamlike shift straight out of the camera with no filters or post-processing required. Rated at ISO 125 for daylight shooting.\u003c\/p\u003e\n\u003cp\u003eA film made for experimentation rather than neutral reproduction: skies and shadows lean blue while warmer tones are pulled toward the cooler end of the palette. Best in good light to keep shadows clean. Standard C-41 process. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 125\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41\u003c\/li\u003e\n\u003cli\u003eBalance: Daylight\u003c\/li\u003e\n\u003cli\u003eLook: Azure colour shift\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":64996607983965,"sku":"0225","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/HarmanAzure35mm.png?v=1781703148"},{"product_id":"optimono-100-35mm","title":"OptiMono 100 35mm","description":"\u003cp\u003eOptiMono 100 is Optik Oldschool's first in-house black and white film, coated on a Filmotec emulsion made in Wolfen, Germany. At ISO 100 it delivers fine grain, moderate contrast and a smooth tonal scale, holding detail in both highlights and shadows. Reds render a little lighter and greens a little darker, which flatters skin tones in portraits and adds depth to landscapes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100 black and white negative film\u003c\/li\u003e\n\u003cli\u003e35mm, 36 exposures\u003c\/li\u003e\n\u003cli\u003eFine grain, moderate contrast, wide tonal range\u003c\/li\u003e\n\u003cli\u003eFilmotec \/ Original Wolfen emulsion, made in Germany\u003c\/li\u003e\n\u003cli\u003eStandard black and white chemistry\u003c\/li\u003e\n\u003cli\u003eWell suited to scanning, darkroom printing and hybrid workflows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLooking for colour from the same maker? Try \u003ca href=\"https:\/\/vintagevisual.eu\/products\/santacolor-100-35mm\"\u003eSantaColor 100\u003c\/a\u003e.\u003c\/p\u003e","brand":"Optik Oldschool","offers":[{"title":"Default Title","offer_id":65464524276061,"sku":"0242","price":5.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Optimono100.png?v=1785825999"},{"product_id":"adox-hr-50-speed-boost-135-36","title":"ADOX HR-50 with SPEED BOOST 135\/36","description":"\u003cp\u003eADOX HR-50 is a superpanchromatic black and white film rated ISO 50 on a 0.1 mm PET base. SPEED BOOST is ADOX's own treatment that brings the emulsion up to ISO 50 and lowers the gamma, so a stock built for technical work handles ordinary subjects at normal contrast. Grain is extremely fine and resolution runs to 280 lp\/mm at an image contrast of 1000:1.\u003c\/p\u003e\n\u003cp\u003eADOX recommends its own HR-DEV developer. For portraits ADOX names \u003ca href=\"https:\/\/vintagevisual.eu\/products\/adox-fx-39-ii-bw-developer\"\u003eFX-39 II\u003c\/a\u003e as the alternative.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 50\/18°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135), 36 exposures\u003c\/li\u003e\n\u003cli\u003eSpectral sensitivity: Superpanchromatic\u003c\/li\u003e\n\u003cli\u003eResolution: up to 280 lp\/mm at 1000:1 image contrast\u003c\/li\u003e\n\u003cli\u003eGrain: extremely fine\u003c\/li\u003e\n\u003cli\u003eBase: 0.1 mm PET\u003c\/li\u003e\n\u003cli\u003eAnti-halation: combined AHU\/NC\u003c\/li\u003e\n\u003cli\u003eDeveloper: ADOX HR-DEV, or FX-39 II\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ADOX","offers":[{"title":"Default Title","offer_id":65674398826845,"sku":"0254","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/VintageVisualSous-Vide-39.png?v=1789036503"},{"product_id":"kodak-ektar-100-135-36","title":"Eastman Kodak Ektar 100 135\/36","description":"\u003cp\u003eKodak Ektar 100 is a colour negative film for 35mm cameras, rated ISO 100 and daylight balanced. It has very fine grain and saturated colour, scans cleanly and holds up in large enlargements from a 35mm frame.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 100, 35mm (135) cassette, 36 exposures\u003c\/li\u003e\n\u003cli\u003eVery fine grain, high sharpness and enhanced colour saturation\u003c\/li\u003e\n\u003cli\u003eSuited to scanning and to enlargements from a 35mm negative\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":65979900592477,"sku":"0281","price":19.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Ektar100.png?v=1790065163"},{"product_id":"eastman-kodak-tri-x-400-135-36","title":"Eastman Kodak Tri-X 400 135\/36","description":"\u003cp\u003eKodak Tri-X 400 is the classic black \u0026amp; white workhorse, on the market in one form or another since 1954 and still the reference point most other B\u0026amp;W films are measured against. At ISO 400 it covers a wide range of conditions, from bright daylight to dim interiors, with a tonal response that is forgiving of exposure error.\u003c\/p\u003e\n\u003cp\u003eGrain is pronounced and structured, giving the gritty, high-contrast look associated with documentary and street photography. It pushes well to EI 1600 and beyond, holding shadow detail and gaining contrast rather than falling apart. Compatible with all standard B\u0026amp;W developers. Cold-stored for freshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 400\/27°\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: Standard B\u0026amp;W\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":65988995613021,"sku":"0280","price":12.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Tri-X.png?v=1790065157"},{"product_id":"reflx-lab-640t-135","title":"REFLX LAB 640T-135","description":"\u003cp\u003eREFLX LAB 640T is a tungsten-balanced colour negative film respooled from Kodak Vision3 500T cine stock, upgraded with REFLX Lab's own AHU (Anti-Halation Undercoating) treatment. AHU removes the remjet layer during manufacture, so the film can be processed in either C-41 or ECN-2 without a remjet pre-bath, and adds anti-static properties that cut down on dust on the negatives.\u003c\/p\u003e\n\u003cp\u003eBalanced for tungsten\/artificial light, it renders warm indoor and night scenes naturally and needs an 80A filter (or similar colour correction) in daylight. Fresh-dated Hollywood-grade stock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO: 500 (ECN-2) \/ 640 (C-41)\u003c\/li\u003e\n\u003cli\u003eFormat: 35mm (135)\u003c\/li\u003e\n\u003cli\u003eExposures: 36\u003c\/li\u003e\n\u003cli\u003eProcess: C-41 or ECN-2\u003c\/li\u003e\n\u003cli\u003eBalance: Tungsten\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Reflx Lab","offers":[{"title":"Default Title","offer_id":65989028872541,"sku":"0284","price":14.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/640T.png?v=1790065126"},{"product_id":"kodak-ektacolor-pro-160-135-36","title":"Eastman Kodak Ektacolor Pro 160 135\/36","description":"\u003cp\u003eKodak Ektacolor Pro 160 is a colour negative film for 35mm cameras, rated ISO 160 and daylight balanced. It gives soft, accurate colour and natural skin tones, with very fine grain and smooth highlights.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 160, 35mm (135) cassette, 36 exposures\u003c\/li\u003e\n\u003cli\u003eVery fine grain and natural skin tones\u003c\/li\u003e\n\u003cli\u003eWide exposure latitude\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kodak","offers":[{"title":"Default Title","offer_id":66130819088733,"sku":"0287","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/KodakEktacolorPro160135-36.png?v=1791275905"},{"product_id":"cinestill-50d-135-36","title":"CineStill 50D 135\/36","description":"\u003cp\u003eCineStill 50D is a daylight-balanced colour negative film for 35mm cameras, rated ISO 50. It is made from Kodak Vision3 50D motion picture film with the remjet backing removed, so it develops in standard C-41 and gives very fine grain with wide exposure latitude.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 50, 35mm (135) cassette, 36 exposures, DX coded\u003c\/li\u003e\n\u003cli\u003eBalanced for daylight (5500K)\u003c\/li\u003e\n\u003cli\u003eVery fine grain and wide exposure latitude\u003c\/li\u003e\n\u003cli\u003eNo remjet backing, so strong light sources can show a soft halation glow\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process, or ECN-2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cinestill","offers":[{"title":"Default Title","offer_id":66194976997725,"sku":"0290","price":20.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Cinestill50D.png?v=1791885771"},{"product_id":"cinestill-800t-135-36","title":"CineStill 800T 135\/36","description":"\u003cp\u003eCineStill 800T is a tungsten-balanced colour negative film for 35mm cameras, rated ISO 800. It is made from Kodak Vision3 500T motion picture film with the remjet backing removed, so it develops in standard C-41. It suits night and artificial light, and bright lights in the frame show a red halation glow.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 800, 35mm (135) cassette, 36 exposures, DX coded\u003c\/li\u003e\n\u003cli\u003eBalanced for tungsten light (3200K). In daylight use an 85B filter, or rate it at ISO 400 to 500\u003c\/li\u003e\n\u003cli\u003eRate it from EI 200 to 1000 without pushing, or push it up to EI 3200\u003c\/li\u003e\n\u003cli\u003eStandard C-41 process\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cinestill","offers":[{"title":"Default Title","offer_id":66194977096029,"sku":"0291","price":20.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/Cinestill800t.png?v=1791885736"},{"product_id":"cinestill-bwxx-135-36","title":"CineStill BwXX 135\/36","description":"\u003cp\u003eCineStill BwXX is a black \u0026amp; white negative film for 35mm cameras, respooled from Eastman Double-X 5222, the motion picture stock Kodak introduced in 1959. Rate it at ISO 250 in daylight or 200 under tungsten light, and develop it in standard black \u0026amp; white chemistry.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISO 250 in daylight, 200 under tungsten\u003c\/li\u003e\n\u003cli\u003e35mm (135) cassette, 36 exposures, DX coded\u003c\/li\u003e\n\u003cli\u003ePanchromatic, for daylight and studio work\u003c\/li\u003e\n\u003cli\u003ePushes to EI 1600 with adjusted development\u003c\/li\u003e\n\u003cli\u003eDevelops in most B\u0026amp;W developers, including D-76 and HC-110\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cinestill","offers":[{"title":"Default Title","offer_id":66194977423709,"sku":"0293","price":17.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1020\/2346\/3261\/files\/CDXXCinestill.png?v=1791885703"}],"url":"https:\/\/vintagevisual.eu\/it\/collections\/35mm-film.oembed?page=2","provider":"Vintage Visual","version":"1.0","type":"link"}